Home > Dark in Death (In Death #46)(2)

Dark in Death (In Death #46)(2)
Author: J.D. Robb

“Yes, sir.”

“Do employees have facilities, a locker area, break room?”

“Ah …”

“Find out, have it closed off. Let’s get started, Peabody.”

Eve moved down the long, curving corridor to the double doors of theater five.

She saw the woman seated with a female uniform in the rear row of the far right section. A man and woman together, one man alone, all with two officers, spread out in the far left section.

Nobody looked very happy.

Eve went to the lone woman first, gave the uniform the nod to step out.

“I’m Lieutenant Dallas.”

“Chanel … I don’t understand.”

Eve sat. The chairs here were wider, deeper than those at the crime scene. “I’m sorry, Ms. …”

“Kawaski. Lola Kawaski.”

“I’m sorry, Ms. Kawaski. You and Ms. Rylan were friends.”

“Besties, roomies. I needed a roomie when I busted up with my boyfriend like, God, like, ten years ago. Chanel had just moved here, and she was one of the aps. We just hit it off straight-out. We’ve been there for each other through all the thin and thick. And now …”

Lola pressed fingers to eyes red from weeping.

“I’m very sorry for your loss. I know it’s hard right now, but I have questions I need to ask. You may be able to help us find who did this to her and why.”

“There’s just no why.” Lola sobbed into her hands. “No why.”

There was always a why, Eve thought.

“Was Chanel involved with anyone? Maybe she had a bad breakup?”

Lola shook her head, began to wind her long tail of brown hair around her fingers. “Nobody serious right now, or in the last year or so. She had a serious, back like four or five years ago, but they busted. Not mean or anything. Just busted when he got a break, a part in a home-screen series. But they shot it up in Canada, west Canada. So they busted. Chanel was happy for him, you know, but she was New York. Broadway. She worked plenty in swing, too.”

“Swing.”

“It’s like the supporting cast in a play, and you have to learn lots of the parts because you’re going to play more than one character. She worked at Broadway Babies, too. It’s a restaurant in the theater district where the waitstaff sings and performs while they serve you. She worked really hard.”

“Did she beat someone out for a part, cause resentment there?”

“It happens. People in the business know it happens. I know lots of them through Chanel. They get pissy, maybe, or depressed, but they don’t kill each other. She had lots of friends. She dated around, but not serious. She was bi. We didn’t … I’m just straight, and we were like sisters. She kept it light dating after Damien. She was happy for him. He’s still out there—Canada, and New L.A.—in another series. But it broke her heart a little, too.”

“So she dated a lot of people, competed for a lot of parts.”

“Yeah, that was, like, her life. I’m not going to say everybody loved her, but a lot did, and a lot really liked her or respected her. I don’t know anybody who’d do this to her. Who’d just … It doesn’t feel real.”

“Why don’t you tell me what happened tonight? You and Chanel decided to see this vid. Why this vid, at this theater, at this time?”

“That’s easy. It’s classic, and we’re both really into classic vids. We try to come every couple weeks. If Chanel’s in a play, we work it around rehearsals or workshops or performances. She was in auditions for one now—second callback—so we came to the six o’clock because she had the night off, and we were going to go out to dinner, then to this club for open mic. She loves to hit open mics. It helps her rev for a big audition. It was just a girl-pal night on the town.”

“So you came here often.”

“At least a couple times a month. Mondays if she didn’t have a shift at the restaurant because the theater’s dark. Wednesdays if she was between plays. Sometimes we’d hit a matinee on my day off if she wasn’t in rehearsal.”

“So coming here was a routine for you. And just the two of you?”

“Mostly. We’d double-dated here a few times, but mostly people aren’t as into classic vids as we are. It’s, you know, our little thing.”

“Tell me about this evening. Walk me through it.”

“Okay.” Lola took a deep breath, swiped her hands over her face. “Chanel was juiced up because she thought she nailed the first callback. We met for a drink when I got off work.”

“Where?”

“Toodles, over on Seventh. I work just a couple blocks from there, so she met me. We hit happy hour, split a half carafe of house wine and a plate of mini pierogies. We just talked about stuff, like always. Her callback and, oh, Carmine, this sweet teacup poodle I neutered today. I’m a vet. Then we walked to the theater, talking about the first time each of us saw Psycho, and how it freaked me so I didn’t take a shower for months, and how she watched it over and over to study Janet Leigh’s performance.”

“Did you notice anyone who seemed to be listening to your conversations? Paying too much attention?”

“No. I just didn’t.”

“Okay, keep going.”

“So we got here early enough to get popcorn and drinks and good seats. The classic theater’s never full, especially on a weeknight, but I really like the aisle seat. And I wanted one especially since I was on call. I hate when people pick their way across the aisle in front of you during a vid. We just settled in, hung out for a couple minutes until it started.”

“Did anyone speak to either of you? Out in the lobby, in the theater? Did you notice anyone who made you feel uncomfortable?”

“No, we were talking to each other. I mean, the guy at the concession stand asked if we wanted the special but we didn’t.”

“Okay. Your initial statement said you came back to your seat and found Chanel. Why did you leave the theater?”

“I was on call, and my ’link vibrated. Right after Marion had dinner, had the talk with Norman Bates. I had to go out to the lobby to take it. I work at Pet Care, and we run a twenty-four-hour emergency clinic. There’s a vet assistant and a couple of support staff in the clinic at all times, but one of the vets is on call for emergencies. Gloria, the assistant on duty, said we had an emergency coming in.”

“What kind of emergency?”

“A dog, struck by a car, and the owner was bringing him right in. I had to go—if the dog needed surgery or had to be put to sleep, they needed a vet. I got some information from Gloria, but she didn’t have much because the owner was panicked and running with the dog. I gave her instructions because he’d probably get there before I could, then I went back to tell … to tell Chanel. I—I sat down for a second, said how I’d missed the big scene. You know, the shower scene, and I was sorry, but I had to go into work. I …”

Lola covered her face now, rocked. “I put my hand on her arm, I think. I think. She just sort of tipped against me. I started to laugh, I think. Drama queen. Then I … there was blood. I could feel it, smell it, and she wasn’t moving. I’m a little, ah, not sure exactly then.”

Her hands shook as she lowered them, and her eyes blurred as she tried to focus on Eve. “I think I started screaming. I think I tried to drag her up, and I was screaming for help. I think people were like shut up, sit down. But other people came over, and I think somebody ran for an usher or security or I don’t know. The lights came on, and the vid stopped, and Chanel was lying there.”

“Lola, did you see anyone come out when you were in the lobby on your ’link? Did you pass anyone going in or out of the theater?”

“I don’t think so. I was kind of annoyed to be called out, then, well, some poor dog’s hurt, so I was pretty much focused on talking it through with Gloria.”

“How long do you figure you were out of the theater?”

“I’m not sure. Maybe four or five minutes. I don’t think more than that. Well.” She shut her eyes. “Wait. I saw it was the nine-one-one signal we use for emergencies. I got up, went out. I went all the way out to the lobby because even with the soundproofing you can kind of hear the vids, just enough to be distracting. I still had my drink, so I walked over to the area where you can sit and eat if you want. I guess there were a few people there, waiting for the next show. I tagged Gloria back, talked to her—a couple minutes, maybe three, because she’s still a little green and I wanted to be sure she prepped. Then I walked back. So however long that was.”

“Did you see who was sitting in the row behind you?”

“I didn’t notice. You mostly notice the people in front of you, if they get in the way. Behind or around, if they’re talking or rattling, you know. It was nice and quiet in the vid. People who go to classics are usually really respectful.”

“What about the dog?”

“The dog? Oh, oh, God, the dog. I had to tag Gloria. The officer asked me not to say why, just that I had an emergency of my own, and to pull in Carter or Lori.”

“About how long after you took the emergency tag did you tag them back, tell them to get another vet?”

“I’m not sure, really not. I guess fifteen or twenty minutes. Maybe even longer. I just forgot about that poor dog.”

“Understandable. I’m surprised the clinic didn’t tag you again after the owner brought the injured dog in.”

“He hadn’t gotten there, Gloria said.”

Eve only nodded. “He must’ve been running a long way. Is there someone we can contact for you, Lola? Someone you’d want to stay with you?”

“I don’t think I can go back to our apartment yet. I just don’t think I can stand that until I … I’m sort of seeing this guy. Maybe I can go to his place for a while. Maybe.”

   
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