“Is that why you’re back for a visit?” Yma asked him. The army trained closer to the Divide, outside Voa, so it had been a few hours’ journey for Vakrez to make it here.
“No. Had to deliver Kereseth,” Vakrez said, nodding to Ryzek. “The younger Kereseth, that is.”
“His skin any thicker than when you first got him?” Suzao asked. He was a short man, but he was tough as armor skin, crisscrossed with scars. “When we took him, it was touch him and—wham!—he bruises.”
The others laughed. I remembered how Akos Kereseth had looked when he was first dragged into this house, his sobbing brother at his heels, blood still dried on his hand from his first kill mark. He had not seemed weak to me.
“Not so thin-skinned,” Zeg Radix said gruffly. “Unless you’re suggesting that my brother Kalmev died so easily?”
Suzao looked away.
“I am sure,” Ryzek said smoothly, “that no one means to insult Kalmev, Zeg. My father was killed by someone who was unworthy of him, too.” He sipped his drink. “Now, before we eat, I have arranged for some entertainment for us.”
I tensed as the doors opened, sure that whatever Ryzek called “entertainment” was much worse than it sounded. But it was just a woman, dressed throat to ankle in tight, dark fabric that showed every muscle, every bony joint. Her eyes and lips were traced with some kind of pale chalk, garish.
“My sisters and I, of the planet Ogra, offer the Shotet our greetings,” the woman said, her voice raspy. “And we present to you a dance.”
At her last word, she brought her hands together in a sharp clap. All at once, the fire in the fireplace and the shifting glow from the fenzu disappeared, leaving us in darkness. Ogra, a planet wreathed in shadow, was a mystery to most in our galaxy. Ograns did not allow many visitors, and even the most sophisticated surveillance technology couldn’t penetrate their atmosphere. The most anyone knew about them was from observation of spectacles like these. For once, I was grateful for how freely Ryzek indulged in the offerings of other planets, while restricting the rest of Shotet from doing the same. Without that hypocrisy I would never have gotten to see this.
Eager, I tilted forward on my toes and waited. Tendrils of light wrapped around the Ogran dancer’s clasped hands, weaving between her fingers. When she pulled her palms apart, the orange tongues of fire from the fireplace stayed in one palm and the blueish orbs of fenzu glow stayed hovering in the other. The faint light made the chalk around her eyes and mouth stand out, and when she smiled, her teeth were fangs in the dark.
Two other dancers filed into the room behind her. They were still for a few long moments, and movement came slowly, when it did. The dancer farthest to the left tapped her breastbone, lightly, but it wasn’t the sound of skin on skin that came from the motion—it was the sound of a full-bellied drum. The next dancer moved to that off-kilter rhythm, her stomach contracting and her back rounding as her shoulders hunched. Her body found a curved shape, and then light shuddered through her skeleton, making her spine glow, every vertebra visible for a few faltering seconds.
I gasped, along with several others.
The light-handler twisted her hands, bending firelight around fenzu light like she was weaving a tapestry from them. Their glow revealed complex, almost mechanical movements in her fingers and wrists. As the rhythm from the chest-drummer changed, the light-handler joined the third, the one with glowing bones, in a lurching, stumbling dance. I tensed, watching them, not sure if I should be disturbed or amazed. Every other moment I felt like they were going to lose their balance and hit the floor, but they caught each other every time, swinging and tilting, lifting and twisting, all flashing with multicolored light.
I was breathless when the performance ended. Ryzek led us in our applause, which I joined reluctantly, feeling it unequal to what I had just seen. The light-handler sent the flames back into our fire and the glow back into our fenzu lights. The three women clasped hands and bowed for us, smiling with closed lips.
I wanted to speak to them—though I didn’t know what I could possibly say—but they were already filing out. As the third dancer made her way to the door, though, she pinched the fabric of my skirt between her thumb and forefinger. Her “sisters” stopped with her. The force of all their eyes on me at once was overwhelming—their irises were pitch-black, and took up more space than usual, I was certain. I wanted to shrivel before them.
“She is herself a small Ogra,” the third dancer said, and the bones in her fingers flickered with light, just as shadows wound around my arms like bracelets. “All clothed in darkness.”
“It is a gift,” the light-handler said.
“It is a gift,” the chest-drummer echoed.
I did not agree.
The fire in the dining room was just embers. My plate was full of half-eaten food—the shreds of roasted deadbird, pickled saltfruit, and some kind of leafy concoction dusted with spices—and my head was throbbing. I nibbled the corner of a piece of bread and listened to Uzul Zetsyvis brag about his investments.
The Zetsyvis family had been charged with the breeding and harvesting of fenzu from the forests north of Voa for almost one hundred seasons. In Shotet we used the bioluminescent insects for light more often than current-channeling devices, unlike the rest of the galaxy. It was a relic of our religious history, now waning—only the truly religious didn’t use the current casually.
Maybe because of the Zetsyvis family industry, Uzul, Yma, and Lety were highly religious, refusing to take hushflower even in medicine, which meant eschewing most medicine. They said any substance that altered a person’s “natural state,” even anesthesia, defied the current. They also wouldn’t travel by current-powered engines. They considered them to be a too-frivolous use of the current’s energy—except for the sojourn ship, of course, which they defined as a religious rite. Their glasses were all full of water instead of fermented feathergrass.